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Installation View

Stage Specific Setup 'Sound Strokes' Concert
(Symposium Hall, Edinburgh; Camden People's Theatre, London, 2026)

★★★★★ The Wee Review 2026 | ★★★★★ Scottish Field 2026 |
Highly Recommended Show Fringe Review | ★★★★ The Scotsman 2025


Interview from Fresh Air Radio Edinburgh in Fringe
https://open.spotify.com/episode/5qQzw0N2J3x8e1NqidlDEZ

Installation View

Exhibition 'The World Without Us' (Ffotogallery, 24 May - 10 Aug 2024)

Soil Remembers
土壤記憶

“Soil remembers the temperature, humidity, and how you treat it. Even though we may damage the earth before, we could still take actions to repair and help to heal the earth”
— Qiu Yangzi

"Soil Remembers" (2023) is a 0.97 * 10 meter soil chromatography camera-less photography scroll on handmade paper accompanied by two gold leaf-gilded frames from the Art Nouveau period. Blending chance with artistic control, the work unveils the uniqueness and inherent uncertainty of the natural world. Created using soil gathered from where I was born, where I have lived, and where I live now, Shantou, Hong Kong, and London, this scroll forms a blended visual story of my personal journey. Following its exhibition in 2024, the original scroll was sadly lost in transit and never recovered.

In 2026, collaborate with three musicians Wan Xing on Guzheng, Gregor Black on percussion, and Eleanor Dunsdon on level harp in "Sound Strokes", I created a new iteration of "Soil Remembers" (2026): three 0.97 * 10 meter soil chromatography scrolls on handmade paper. These works incorporate soil gathered from Glasgow, Edinburgh, London, and Hong Kong, the places where the three collaborating musicians and I are based. One of the scrolls was created specifically as a stage backdrop for the Sound Strokes performances at the 2026 Edinburgh Festival Fringe, rewarded as five stars in the Wee Review, Scottish Field and highly recommended show in Fringe Review.

Drawing inspiration from ancient texts from cultures globally, "Soil Remembers" articulates the sacred dialogue between history and the earth itself.

1) Hesiod's Works and Days, Around 700 BCE, Greece, "When Zeus had born nine daughters, all of one mind, whose hearts are set upon song and their spirit free from care, a little way from them the Olympian gods made a place where they should dwell and live, and made them dwell near the famous stream of Oceanus."

2) The Vedas, Around 1500–500 BCE, India, "Earth, our Mother, set us down in many places, the sea, the forests, and the open country; there may we dwell, with our kith and kin, all around us."

3) Virgil's Georgics, 29 BCE, Rome (Ancient Roman Empire), "Happy the man who first could tell the names of ploughshares, and showed how lands might be held by fixed boundaries."

4) Classic of Agriculture, During the Han Dynasty (206 BCE – 220 CE), China, "A farmer should dig the soil at the proper time; when it is pliable and suitable for planting."

5) Book of Nabathaeans, Unknown (Ancient Arabic Text), Arabic Region (Ancient), "The land was level and planted with all sorts of fruit, both useful and sweet-smelling."

6) Ipuwer Papyrus, Around 13th century BCE, Egypt, "Forsooth, the land turns around like a potter's wheel."

These texts encapsulate ancient wisdom, insights, and reflections on agriculture and soil from diverse cultures and historical periods.
Soil chromatography is a slow reacting photographic process for assessing soil health initially developed by Russian botanist Mikhail Tsvet. It indicates the chemical, physical and biological characteristics of the earth. Utilised by farmers, this method provides an overview of each soil’s vitality and health by analysis its hues, patterns, and textures.

"Soil Remembers" stands as a testament to the earth's resilience, holding memories of time and tide. As viewers contemplate this series, they are urged to reflect on their connection to the earth and the wisdom it holds within its depths.



Press Review Details:

★★★★★ The Wee Reviews of Sound Strokes 2026
"Adding to the atmosphere is the meaningful backdrop behind the stage, a ten-metre artwork by Qiu Yangzi that visually represents the cultural connection. Using gold leaf and earth from London, Edinburgh, Glasgow and Hong Kong, the scroll literally blends the ground on which the cultures represented in the performance were built."
https://theweereview.com/review/sound-strokes-a-harmonious-blend-of-chinese-and-scottish-music/

★★★★★ Scottish Field of Sound Strokes 2026
"The trio would take us on a elemental journey beginning in Earth with visual artist Qiu Yangzi’s geologic inspired artwork ‘Soil Remembers’ commissioned as their backdrop and a reminder of our relationship and responsibility to the earth."
https://www.scottishfield.co.uk/culture/edinburgh-fringe-reviews-music-dance-theatre/

Highly Recommended Show Fringe Review of Sound Strokes 2026
"Soil Remembers, the artwork draped behind the performers, is a ten-metre scroll of camera-less photography exposing the earth to the sun. Created by Qiu Yangzi, bodhrán player Gregor Black says it represents that “no matter how much we mistreat the earth, we can always repair it”. This awareness of history and practical hopefulness for repair sets the tone for the work. They take us back to basics, back to the elements, to traditional songs made new. They show us connection and how to rebuild, how to make something new and old at the same time."
https://fringereview.co.uk/review/edinburgh-fringe/2026/sound-strokes/



《土壤記憶》(2023)是一幅尺寸為 0.97 * 10 米的由手工紙製作而成的無相機攝影長卷,搭配兩幅新藝術運動(Art Nouveau)時期的金箔貼金畫框。作品將偶然性與藝術控制融合在一起,揭示了自然界獨一無二且固有不確定的特質。作品採集了我出生、曾經生活以及如今居住之地:汕頭、香港和倫敦的泥土創作而成,這幅長卷凝聚了我個人生命旅程的視覺敘事。遺憾的是,在 2024 年展出後,原版長卷於運輸途中不幸遺失,未能找回。

2026年,在《Sound Strokes 箏跡之氣象萬千》項目中,我與三位音樂家:萬幸(古箏)、Gregor Black(打擊樂)和 Eleanor Dunsdon(手制式豎琴)合作,為《土壤記憶》(2026)創作了全新版本:共三幅尺寸同為 0.97* 10 米 的手工紙長卷。這些作品融入了來自格拉斯哥、愛丁堡、倫敦和香港的泥土,即三位合作音樂家與我所居住的地方。其中一幅長卷在《Sound Strokes》音樂會舞台上跟音樂家同台展出,並榮獲《The Wee Review》的五星好評:

「為現場氣氛增色不少的,是舞台後方意義深遠的背景——由邱揚梓(Qiu Yangzi)創作的一幅十米長藝術作品,以視覺方式呈現了文化的連結。該長卷運用了金箔以及來自倫敦、愛丁堡、格拉斯哥和香港的泥土,字面意義上地將演出中所代表的文化所立足的土地融合在一起。」

—— 《The Wee Review》


土壤會記得這個地方的溫度、濕度以及我們如何對待它。

"土壤記憶"是一首對大地無形低語的頌歌,封裝了潛藏在土壤深處的智慧、敘事和文化。我從世界各地的古代文本中汲取靈感,包括希臘、印度、中國、羅馬和埃及等文化的書本段落。這個系列表達了歷史與地球本身之間的神聖對話。

1) 赫西俄德的《農業與工作》,公元前約700年,希臘: "當宙斯生下了九個女兒,心志一致,她們的心都專注於歌唱,她們的精神滿懷快樂,離她們不遠處,奧林匹斯諸神建造了一個供她們居住和生活的地方,並讓她們住在著名的歐克阿努斯河附近。"
2) 維達斯,《維達斯》,公元前約1500-500年,印度: "我們的母親大地,在許多地方讓我們安居,海洋、森林和開闊的鄉間;我們和親人們就在附近安居。"
3) 弗吉爾的《農事詩》,公元前29年,羅馬(古羅馬帝國): "首先能夠識別犁頭的人是幸福的,並且顯示土地如何被固定的邊界所控制。"
4)《農業經典》,漢朝時期(公元前206年至220年),中國: "農夫應該在適當的時間挖掘土壤;當土壤柔軟且適合種植時。"
5)納巴泰人的書籍,《納巴泰人的書籍》,不詳(古代阿拉伯文本),阿拉伯地區(古代): "這片土地平坦,種植了各種各樣有用和芬芳的水果。"
6) 伊普韋爾紙莎草文稿,《伊普韋爾紙莎草文稿》,公元前約13世紀,埃及: "的確,土地像陶工的轉輪一樣轉動。"

這些文本包含了來自不同文化和歷史時期的古代智慧、見解和對農業和土壤的反思。

土壤色譜法是一種用於評估土壤健康的緩慢反應的攝影過程。這種方法最初由俄羅斯植物學家米哈伊爾·茨韋特發明。後來這種方法被農民採用並根據色譜圖案的形狀判斷土壤是否健康